NATIVE COUTURE II PHOTO CAPTIONS 3NCIIKABOTIE BELT BUCKLE BY

CISREGULATORY MOTIF COMBINATIONS AND TISSUESPECIFIC ALTERNATIVE SPLICING TRANSCRIPTOMICS CISREGULATORY
ALTERNATIVE VENUE CRITERIA IF A CANDIDATE NEEDS
0 FORM 112 RULE 34130(1) [SHORT TITLE NATIVE

0 NATIVE AMERICANS AND HIVAIDS NATIVE AMERICANS AND HIVAIDS
11 NATIVE AMERICAN PEOPLES A JOURNEY OF SELFDISCOVERY BOOK
16 ALTERNATIVES TO ROUND ROBIN OR POPCORN READING (ONE

Native Couture II Photo Captions

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Belt Buckle by Michael Kabotie, ca. 2003. Sterling silver. Collection of Dr. Gregory and Angie Yen Schaaf. Photo by Ricardo Martinez.

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Top: “Butterfly” Bracelet by Rebecca Begay, ca. 2007. Sterling silver, Australian Boulder opal. Collection of Dr. Gregory and Angie Yen Schaaf.

Left: Bracelet by Cody Sanderson and Virgil Ortiz, ca. 2000. Sterling silver. Collection of Dr. Gregory and Angie Yen Schaaf.

Middle: Stone Inlay Bracelet by Michael D. Garcia (Na Na Ping), 2008. Silver, black jade, Kingman turquoise. Purchased for the Museum of Indian Arts & Culture by the Friends of Indian Art.

Right: Mosaic Bracelet by Charles Loloma, ca. 1980. Sterling silver, coral, turquoise, wood, lapis lazuli. Collection of Dr. Gregory and Angie Yen Schaaf.

Lower Left: Dragonfly Pin by Norbet Peshlakai, ca. 2005. Silver, coral. Collection of Dr. Gregory and Angie Yen Schaaf.

Lower Right: Belt Buckle by Michael Kabotie, ca. 2003. Sterling silver. Collection of Dr. Gregory and Angie Yen Schaaf.

Background: “Butterflies in Motion”Cape by Penny Singer, 2009. Wool, silver, silk. Collection of the artist.

Photo by Ricardo Martinez.

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“Butterflies in Motion”Cape by Penny Singer, 2009. Wool, silver, silk. Collection of the artist. Photo by Ricardo Martinez.

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Handbag by Dorothy Grant, 2004. Dyed leather. Collection of Beth Extract.

Bracelet by Cody Sanderson and Virgil Ortiz, ca. 2000. Sterling silver. Collection of Dr. Gregory and Angie Yen Schaaf.

“Wild Spinach” Scarf by Virgil Ortiz, 2008. Silk. Private Collection.

Photo by Ricardo Martinez.

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“Corn Stalk” Bracelet by David Gaussoin, 2009. Silver, Baltic amber. Collection of the artist.

Background: PVC Vinyl Jacket by Pilar Agoyo, 2009. PVC Vinyl, polyester, dimes. Collection of the artist.

Photo by Ricardo Martinez.

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Close up of heel of Beaded High Tops by Teri Greeves, 2005. Glass beads, commercial “All Star” High Top Tennis Shoes of canvas, rubber. Collection of Natalie Fitz-Gerald. Photo by Ricardo Martinez.

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Inlay Bracelet by Preston Monongye and Lee Yazzie, ca. 1970. Sterling silver, turquoise, jet, mother-of-pearl. Collection of Dr. Gregory and Angie Yen Schaaf.

Necklace by Naavaasya, ca. 1974. Sterling silver, turquoise, coral, lapis lazuli, mother-of-pearl. Collection of Beth Extract.

Photo by Ricardo Martinez.

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Top: Bracelet by Cody Sanderson and Virgil Ortiz, ca. 2000. Sterling silver.

Bottom: Bracelet by Fritz Casuse, ca. 2005. Sterling silver, Italian oxblood coral.

Right: “Butterfly” Bracelet by Rebecca Begay, ca. 2007. Sterling silver, Australian Boulder opal.

Collection of Dr. Gregory and Angie Yen Schaaf.

Photo by Ricardo Martinez.

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Dragonfly Pin by Norbert Peshlakai, ca. 2005. Silver, coral. Collection of Dr. Gregory and Angie Yen Schaaf. Photo by Ricardo Martinez.

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Bracelet by Myron Panteah, 1999. Sterling silver, 14k gold. Private Collection. Photo by Ricardo Martinez.

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Cuff Bracelet by Lee Yazzie, 1998. Sterling silver, gold. Private collection. Photo by Ricardo Martinez.

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“Pueblo Chanel” by Patricia Michaels, 2005. Silk organza, silk, velvet, satin. Collection of the artist. Photo by Jennifer Esperanza.

17 AN ALTERNATIVE CONSTRUCTION OF IDENTITY AMERICAN COMMUNICATION JOURNAL
173 THE EFFECT OF NONNATIVE SPEAKER ACCENT ON EFL
21 NMR T1RELAXATION MEASUREMENTS ON PARAMAGNETIC ORGANOLANTHANIDES AN ALTERNATIVE

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