COORDINATION OF IDEAS AND STYLES IN THE WESTERN MUSICAL

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Coordination of Ideas and Styles in the Western Musical Tradition with Wright/Simms Anthology

Coordination of Ideas and Styles in the Western Musical Tradition with Wright/Simms Music in Western Civilization, vol. 2 (MWC 2)

Ideas and Styles chapter	Page(s)	Piece	MWC 2 no.
15	223	Johann Adolf Hasse, Cleofide, aria, “Digli ch’io son fedele”	118
15	222	John Gay, The Beggar’s Opera, dialogue and songs from Act 1 Air XI, “A fox may steal your hens” Dialogue Air XII, “Oh, ponder well” Air XIII, The turtle thus with plaintive crying”	119
15	224	Giovanni Battista Pergolesi, La serva padrona Recitative, “Io non so chi mi tien!” Duet, “Lo concosco a quegl’ occhietti”	120
16	245	Jean–Jacques Rousseau, Le Devin du village, duet, “À jamais Colin”	121
		Christoph Willibald Gluck, Orfeo ed Euridice Aria, “Deh placatevi” Chorus, “Misero giovane” Obbligato recitative, “Ahimè! Dove trascorsi?” Aria, “Che farò senza Euridice?”	122
16	250–251	Giovanni Battista Sammartini, Symphony in D Major, first movement, Allegro	123
16	251–253	Johann Stamitz, La Melodia Germanica, no. 3, Symphony in E-flat Major, first movement, Allegro assai	124
16	242	Domenico Scarlatti, Essercizi, Sonata no. 26 in A Major	125
16	246–247	Carl Philipp Emanuel Bach, Fantasia in C Minor	126
17	261, 272	Johann Christian Bach, Piano Sonata in D Minor, op. 5 no. 2, first movement, Allegro di molto	127
17	262–264, 269	Joseph Haydn, Symphony no. 6 in D Major, Le Matin, first movement, Adagio; Allegro	128
18	283–285	Joseph Haydn, String quartet, op. 33 no. 3, “The Bird” (Hob. III: 39), first movement, Allegro moderato	129
18	282	Joseph Haydn, Symphony no. 94, “Surprise,” second movement, Andante	130
18	282, 285	Joseph Haydn, Symphony no. 99, in E-flat Major, first movement, Adagio; Vivace assai	131
18	282	Joseph Haydn, The Creation, “The Heavens Are Telling”	132
18	285	Wolfgang Amadeus Mozart, Symphony no. 40 in G minor (K. 550), first movement, Allegro	133
18	285	Wolfgang Amadeus Mozart, Symphony no. 41 in C Major (K. 551), fourth movement, Molto allegro	134
18	283	Wolfgang Amadeus Mozart, String Quartet in C Major, “Dissonance,” introduction	135
18	286–287	Wolfgang Amadeus Mozart, Piano Concerto in A Major (K. 488), first movement, Allegro	136
18	289–290	Wolfgang Amadeus Mozart, Le nozze di Figaro Aria, “Se vuol ballare” Aria, “Porgi, amor” Aria, “Voi che sapete” Ensemble, “ Vostre dunque”	137
18	281–283	Wolfgang Amadeus Mozart, Requiem Mass “Confutatis” “Lacrimosa” (completed by Süssmayr)	138
18	296	Ludwig van Beethoven, Piano Sonata in C Minor (“Pathétique”), first movement, Grave; Allegro molto e con brio	139
18	295	Ludwig van Beethoven, Piano Concerto no. 1 in C Major, third movement, Allegro	140
19	310–312	Ludwig van Beethoven, Symphony no. 3 (“Eroica”), second movement (Funeral March), Adagio assai	141
19	316–318	Ludwig van Beethoven, String Quartet in B-flat Major, fifth movement (Cavatina)	142
19	316	Ludwig van Beethoven, Missa solemnis, Kyrie	143
19	323	Franz Schubert, “Erlkönig”	144
19	320–323	Franz Schubert, “Ganymed”	145
19	320–323	Franz Schubert, “Nähe des Geliebten”	146
20	346–348	Hector Berlioz, Symphonie fantastique, fourth movement, “March to the Scaffold”	147
20	332–333	Hector Berlioz, “Absence” from Les Nuits d’été	148
20	342–343	Frédéric Chopin, Nocturne in D-flat Major, op. 27 no. 2	149
20	341	Felix Mendelssohn, Piano Trio in D Minor, op. 49, first movement, Molto allegro ed agitato	150
20	350	Robert Schumann, Symphony no. 1, second movement, Larghetto	151
20	334	Clara Schumann, “Liebst du um Schönheit”	152
19	326–327	Carl Maria von Weber, Der Freischütz, Act 2, Wolf’s Glen Scene, concluding section	153
21	360–366	Richard Wagner, Das Rheingold, Entrance of the Gods into Valhalla	154
19	324–325	Gioacchino Rossini, The Barber of Seville, Act 1, no. 1 Introduzione, “Piano, pianissimo” Cavatina, “Ecco ridente”; Sequito dell’Introduzione, “Ehi, Fiorello”	155
20	371	Giuseppe Verdi, Otello, Act 4, scene 3	156
20	340–341	Franz Liszt, Hungarian Rhapsody no. 15 (Rákóczy March)	157
21	367–368	Johannes Brahms, Symphony no. 3, first movement, Allegro con brio	158
21	367–368	Johannes Brahms, “Feldeinsamkeit,” op. 86, no. 2	159
21	368	Anton Bruckner, Christus factus est	160
21	378–379	Modest Musorgsky, Sunless, “Within Four Walls”	161
21	378	Peter Il’yich Tchaikovsky, The Nutcracker, Act 1, scene 8	162
21	372–373	Gustav Mahler, “Um Mitternacht”	163
21	372–373	Gustav Mahler, Symphony no. 5, fourth movement, Adagietto	164
21	372–373	Alma Mahler, “Die stille Stadt”	165
21	379	Edward Elgar, “Enigma” Variations Theme Ninth Variation (“Nimrod”)	166
21	375–376	Giacomo Puccini, Madama Butterfly, Aria, “Dovunque al mondo”	167
22	386–389	Claude Debussy, Fêtes galantes I, “En sourdine”	168
22	386–389	Claude Debussy, Images I, “Reflets dans l’eau”	169
22	387–388	Claude Debussy, Nocturnes, “Nuages”	170
21	369–370	Gabriel Fauré, Dans la forêt de septembre,” op. 85, no. 1	171
22	388	Lili Boulanger, Clairières dans le ciel, “Elle est gravement gaie”	172
23	414–415	Richard Strauss, Salome, concluding scene	173
22	392–393	Igor Stravinsky, The Rite of Spring Procession of the Sage The Sage Dance of the Earth	174
22	394–395	Arnold Schoenberg, Piano Piece, op. 11, no. 1	175
22	394–395	Arnold Schoenberg, Pierrot lunaire, no. 8, “Nacht”	176
21	373	Alexander Scriabin, Piano Prelude, op. 74, no. 5	177
23	412	Maurice Ravel, Le tombeau de Couperin, Rigaudon	178
23	411–412	Erik Satie, Sarabande no. 2 for piano	179
23	413	Igor Stravinsky, Octet, first movement, “Sinfonia”	180
23	412, 424	Darius Milhaud, Saudades do Brazil, “Botafogo”	181
22	403–406	Arnold Schoenberg, String Quartet no. 4, first movement, Allegro molto, energico	182
23	408–410	Anton Webern, Symphony, op. 21, second movement, Sehr ruhig	183
22	395–396	Alban Berg, Wozzeck, Act 3, scene 2	184
23	424	Kurt Weill, The Threepenny Opera, “Ballad of Mac the Knife”	185
23	416–419	Béla Bartók, Eight Hungarian Folksongs, “Fekete főd”	186
23	416–419	Béla Bartók, Concerto for Orchestra, first movement, Andante non troppo; Allegro vivace	187
23	423	Scott Joplin, “Maple Leaf Rag”	188
23	415–416	Paul Hindemith, Mathis der Maler, Scene 6, entrance 3	189
23	421	Sergei Prokofiev, Piano Sonata no. 7, third movement, Precipitato	190
23	420–421	Dmitri Shostakovich, Piano Concerto no. 1, first movement, Allegro moderato	191
22	396–397	Charles Ives, “Feldeinsamkeit”	192
22	396–397	Charles Ives, “Charlie Rutlage”	193
22	396–397	Charles Ives, The Unanswered Question	194
23	426	Ruth Crawford Seeger, String Quartet (1931), third movement, Andante	195
23	421	Aaron Copland, Piano Variations	196
23	421–422	Aaron Copland, Appalachian Spring (Suite 1945), Variations on a Shaker Hymn	197
23	422	Samuel Barber, Hermit Songs, “Sea–Snatch”	198
23	424	George Gershwin, “The Man I Love”	199
23	424	Richard Rodgers and Oscar Hammerstein II, Oklahoma!, “I Cain’t Say No!”	200
23	424	Leonard Bernstein, West Side Story, “Cool”	201
23	411	Benjamin Britten, War Requiem, Agnus Dei	202
24	433–434	Krzysztof Penderecki, Threnody for the Victims of Hiroshima	203
24	431	Milton Babbitt, Composition for Piano no. 1	204
23	414	Igor Stravinsky, Agon, Bransle double	205
24	431–432	Pierre Boulez, Le Marteau sans maître, “L’Artisanat furieux”	206
24	439	John Cage, Music of Changes, Part I	207
24	431	Olivier Messiaen, “Mode de valeurs et d’intensités”	208
24	432–435, 443	Luciano Berio, Circles, “stinging”	209
24	433–434, 439	George Crumb, Ancient Voices of Children, “¿De donde vienes?”	210
24		Elliott Carter, String Quartet no. 2, Introduction and first movement (Allegro fantastic)	211
24	446	Steve Reich, Clapping Music	212
24	453	György Ligeti, Hungarian Rock	213
24	446	John Adams, Nixon in China, Act 1, scene 1, “News”	214
24	447	Joan Tower, Fanfare for the Uncommon Woman, no. 1	215
24	443	Arvo Pärt, Berlin Mass, Credo	216

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